Workaround again - for Minoan Textiles

Real Minoan fabric design, 1500 BCE approx, as shown by Elizabeth Wayland Barber, from Egyptian frescos.

I need to add a powerpoint presentation to the discussion board for a class I'm taking. This was the workaround for doing images that I used before, but now I know how to do that. Only that way only works for image or video files. Most of the other students have used a link.

So, we'll try. This is the topic I have been totally absorbed by lately. (Well, roses too...)

Minoans, specifically their clothing.

(where did that come from? Well, I have always been interested in costume history. And an Art History class last semester.)

This textile design is derived from one that Elizabeth Wayland Barber shows in her wonderful books, as being a favorite exported by the Minoans to Egypt. (1500 BCE or so?)
No, this won't work to share a powerpoint for my class, but I can share this fabric design. Soon it and other Minoan designs may be up at Spoonflower.

It is up on Spoonflower, and there are other Minoan-inspired fabrics there too now. Not available yet for sale, except a blue-grey one.

smaller Minoan-inspired design from the Snake Goddess' bodice

Of course I did make a colorful one too. 

To see what these designs are inspired by, check my Pinterest board.   https://www.pinterest.com/minawagner/minoan-clothing-fabrics-approx-2500-1200bce/

The green in the first design is definitely not Minoan. I have just been rereading the chapter from Elizabeth Wayland Barber's book Prehistoric Textiles, reprinted in Woven Threads, a book about evidence about Aegean textiles. And in the ancient Egyptian depictions of Minoan textiles, they are just red, white, and blue. But these are a couple of their favorite patterns.
 

Smoke Vacation! Sept. 23, 2014

Yesterday late afternoon - the ground-level smoke had cleared somewhat

I took this picture to show the charming old sawdust-burner, from when this was a lumbermill, all grown-over with a vine. It's turning color at the top - not sure if too much sun/too little water, or fall color. And also to show the exaggerated atmospheric perspective given by the smoky low visibility.

The last time we were having smoke for weeks on end, from over a 1000 fires* caused by one set of lightning storms, I was wondering just how smoky it was in Renaissance Italy, when artists discovered the idea of atmospheric perspective. (How things get fuzzier, lighter, and bluer with distance, caused by more atmosphere between us and them with more distance.)

This was about noon today!

Today visibility is much lower; that further hill which just showed yesterday is gone today. (Maybe just a ghost there.) Normally, I think I remember, there's another hill or two to see...

And the air smells much smokier. So glad I had a chance to open up the house for a while yesterday evening to air out - my rooms had been closed up for 3 days - and even more glad that I was awake in the middle of the night to close it all up again, including the floor which was open before.

*This time it's one giant fire to our Southeast. It's West and Southwest of Lake Tahoe. The King fire.

And the college campus, as well as the high school, is closed today. We've had snow vacation before, but smoke vacation? That's a new one to me.

Empire Inspired Dress Design with my Fabric

Empire-waist dress in Regency Stripe fabric, dark bluegreen

Regency-inspired dresses and fabrics April 2014 (written 4/16/2014)

This spring I was taking a costume history (fashion history) class. And one assignment we had was to design some modern clothing inspired by a historical period.

In the days when I was an active Society for Creative Anachronism member, I designed, drew patterns for, and made 12th century and Renaissance clothes for myself. But for this assignment, I decided to do Empire/Regency inspired designs, since I knew from my long-ago experience that those dresses, if cut right, could be flattering. If not, like the granny dress revival from the 60s, they can look like a sack of potatos tied with a string.

The secret, also mostly not apparently known by the designers of recent empire-waist tops, is that they have to flare from that high waist, not be cut straight.

The fun thing about doing this type of assignment today is the great research possibilities for the historical references. Even the current costume books may have larger color pictures, compared to 20th century ones. But of course, the internet sources are the great difference.

Turns out there are thriving Regency/Jane Austen communities out there, including commercial patterns drawn to re-create real period designs, which have to be worn over period underthings or they won't fit. (No wonder some of the period paintings and drawings, like some by Ingres, don't look right in their proportions. Their stays pushed the bust way, way up.)

But of course, I was doing modern clothes designs, in fact, things I might want to wear myself. And, since my clothes designing has always been fabric-driven, and since textile design is now my passion, first I had to design the fabrics...

Besides some overall prints, I wanted some border prints which might look like embroidery patterns. And I will be making engineered versions which can be placed around curved, flared hems and necklines, as well as straight for on sleeves.

This stripe is not like any period fabric, although maybe it has a little rococo flavor. But I like it on this dress. I designed it smaller, but liked the effect when I stretched it larger to put on the drawing, so I made a larger version of the fabric too. There's a link on the picture to one of the fabric pages at Spoonflower. I will be making one even taller too, and soon this large-scale darker one with a textured background will be available.


**Other versions coming, including border prints which look fairly in period, one based on a vintage copper batik stamp.

And, I'm working on some fabrics to recreate the big surprise I found in my research - shawl dresses in rich colors with deep borders, made from imported Kashmir shawls, or the European copies made in merino wool. Josephine had several. They weren't always wearing those drafty transparent white muslins...

Where there's smoke . . .

There's fire? Well, somewhere, but not here. The closest is near the little town of Washington. But there're fires all over N California, more than 840 of them started by one lightning storm last weekend. The previous record was 73.

On Saturday, some friends and I had gone to Downieville for their Gold Rush Day; costumes, shootouts (picture 2 terrified little kids in a twin stroller, 10 ft away from a victim), stagecoach rides, food and crafts. And an appearance at the little local theater (in which the original Mark Twain had spoken) by "Mark Twain", the celebrated lecturer. We went especially to hear a friend who was providing the live music for Mark Twain's performance.

During Mr Twain's talk, the lights went out. When they came back on a minute later, and Mr.Twain was reclining in a chair, instead of standing behind his lectern, we thought it was part of the show. Then the lights went out again, and stayed out, while we heard repeated thunder outside. So there was Mark Twain, lecturing in the dark, in a little old theater, in a thunderstorm.

Very Old West. But unfortunately, no rain. So there are lightning fires all over, many still burning. And smoke everywhere, for days now.

Looking at the hills and trees receeding into the smoky distance, it made me wonder just how smoky the Italian Renaissance was. I think I remember that that was when painters discovered "atmospheric color", in which the more distant landscape elements are, the lighter and bluer they are. And I think the answer might be, not this smoky, but more than nowadays, judging by the backgrounds to some of the pictures.

I had opened some windows last night, to cool the house off, and because there was less smoke. Then about 3:00 AM it got more smoky again, and I went around closing windows. (Well, not the ones that require climbing a ladder to take the screens out, not in the dark without my glasses on.) And the moon was as copper-colored as it was last summer during its eclipse. And the sun rising this morning was flame-colored.

Another thunderstorm due this Saturday.

Update: the final total of fires for that storm was somewhere around 1200!